Diploma "visual expression" obtained in 1984 at the Ecole Estienne in Paris, I collaborated with the comic book publishers Aedena, then RACKHAM since its creation at the end of the 80s. First a graphic designer and illustrator in publishing, I have been working in animation for TV for more than 25 years, I have worked in all functions; character-design / scenery / storyboard, before becoming assistant director in pre-prod, prod and post-production. I was thus able to intervene at all stages, from creation to delivery. Having become a director myself, I collaborated with about fifteen French companies; C&D / 2DHD / Gaumont /Xilam / Storimages / Ellipsanime / P.M.M.P. / Millimages / Dargaud-Media etc... and made many stays abroad for the follow-up of my productions; China, South Korea, Japan, Taiwan, Ukraine, Bulgaria, Canada, USA, and, of course, Germany where I made long stays in several cities for the Franco-German co-production of my feature film.

In the 90's, I was lucky enough to use traditional techniques such as paper, ink and paint, and 35mm film, to gradually move on to all-digital (zero-paper) and then to CGI (3D). The last two seasons of the YAKARI Series, and my film are in CGI animation. I trained in Maya, Harmony, and Z-Brush software. For a few years, I've been writing myself: for the feature film Yakari and for episodes of the series.

In the meantime, I was a jury member at CICAF (Hanghzou China Festival May 2009), speaker at CCIF (China Cartoon Industry Forum in Mudanjang China August 2010), and president of the Jury of the Arras Short Film Festival. I started some time ago to make interventions in schools (Master, Reunion Island) and conferences to talk about techniques and animated language (Marignana, Paris, Strasbourg).